The full range, 0.5m-infinity and 0.27m-0.5m, are the available options, with the latter obviously restricting the lens to its macro mode. To reduce this time there are three different focus limiting positions, which you set via a switch on the side of the lens. Obviously with such a large focus range it can take some time for the lens to focus from the closest distance to infinity. It is useful when shooting in continuous AF mode. When the lens hits the focus point you want, simply hold this button to lock focus the lens will then remain locked until you let go of the button. The focus-lock switch on the side of the lens helps make focusing even more easy, and is located on the side of the barrel where most photographers rest their thumb.
#SONY 90MM MACRO PORTRAITS MANUAL#
Simply pull the lens to switch to manual focus, then a slight turn will instantly switch the viewfinder to magnified view, making very accurate focus selections a speedy process. I found this particularly useful for shooting macro images when sometimes only a slight focus shift was needed. Interestingly, the lens has a push/pull auto/manual focus switch, making it a quick switch between auto and manual focus.
The body of the lens has a smooth matt metal finish, with a knurled rubber focus ring at the front end of the lens. It is certainly good enough for photographing live insects. To get a 1:1 magnification, the lens needs to be at its minimum focus distance of 28cm, which gives a good working distance between the subject and the end of the lens. Internally, the lens is constructed of 15 elements in 11 groups, with nine rounded aperture blades. Personally, I don’t see the 79 x 130.5mm dimensions, or 602g weight, being an issue, and I had no problem handling or carrying the camera around with me for a whole day. Once again, Sony has produced what many will think is a fairly large lens for the Alpha 7 cameras. Sony FE 90mm f/2.8 Macro G OSS review – Build and handling Overall, the OSS (Optical Steady Shot) built in to the lens works well, adding a touch of reassurance when shooting handheld street or landscape images, and it can also help with macro shots. The shallow depth of field means that just a slight shift back or forth can change the focus plane. At very close distances the problem is the back-and-forth movement that stabilisation can’t correct. I even managed to shoot some macro images at this speed, although more through luck, careful technique and firing a short burst than through the image stabilisation itself. Optical image stabilisation is featured in the lens, allowing me to shoot as slow as 1/15sec when taking images of distant objects. However, Alpha 7 users primarily in need of a specialist portrait lens would likely be better served by the Sony FE 85mm F1.8. Combined with the 90mm focal length, this means that the optic could double up as a portrait lens. Sony’s lens has an f/2.8 maximum aperture, with a minimum setting of f/22. In this context, the Sony 90mm Macro lens follows in the footsteps of the highly regarded Tamron 90mm, Tokina 100mm and Sigma 105mm macro lenses – quite an illustrious group to be part of. It offers a good working distance between the subject and the end of the lens, and has a narrow enough field of view so that backgrounds can be fairly concentrated and blown nicely out of focus. The 90-105mm focal length is a sweet spot for macro photographers. Sony FE 90mm f/2.8 Macro G OSS review – Features But does it deliver the goods? Find out how it performs in our in-depth Sony FE 90mm f/2.8 Macro G OSS review.įor more options, check out our guides to the Best Sony cameras, Best Sony lenses and Best macro lenses. With the lens’ price tag now at $1,098 / £800, it has perhaps come down into more photographers’ budgets since its launch. The 90mm mark has often been a favourite focal length for macro photography, as it provides enough distance from your subject to shoot it comfortably and render it lifesize in the frame. Those using Sony’s APS-C cameras have the option of the E 30mm F1.8 ($298 / £185), which weighs just 138g and provides 1:1 magnification. Since then, Sony has also introduced the more affordable FE 50mm F2.8 Macro ($549 / £449), while Sigma now provides strong competition with its excellent 105mm F2.8 DG DN Art ($799 / £649).
When Sony released the FE 90mm f/2.8 Macro G OSS lens, it opened up a world of possibilities to E-mount shooters, providing them with a premium optic for capturing life-size images of smaller subjects. Until then, anyone interested in macro photography needed Sony’s own LA-EA adapters for Alpha-mount lenses or third-party adapters to shoot macro images. When the Sony FE 90mm f/2.8 Macro G OSS came along in 2015, it was the first true macro lens for full-frame Sony E-mount cameras.
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